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At the point when Keanu Reeves was shooting Speed, in 1993, he spent each extra moment learning lines in his trailer.
These lines weren’t from the film he was taking a shot at – as Jack Traven, the SWAT officer who takes control of a bomb-loaded transport, Reeves didn’t have an awesome arrangement to state – however from William Shakespeare’s Hamlet, a very much thumbed duplicate of which he would bear on set.
His normal everyday employment was zooming through Los Angeles with a bothered Sandra Bullock and a coachload of shouting additional items. Monologuing as the said Prince of Denmark, then again, was personal time.
“I completed the process of playing Jack, went into the trailer, and, you know – ‘How all events do advise against me,/And goad my dull retribution’,” he says, reeling off an opening couple of lines of Hamlet’s last monologue. Did it enable him to adapt to what was, by then, his most industrially noticeable part to date? “Murmur.”
He stops. “I don’t have a clue. There was unquestionably a yin and yang thing going on.”
As he proceeds, what soon turns out to be clear is that those grabbed snapshots of Shakespeare helped Reeves bode well not such an extensive amount Traven or Hamlet, but rather of himself.
He was 29 years of age at the time, with a profession that was soaring. Be that as it may, Reeves didn’t consider himself to be an activity saint – or not only an activity legend, at any rate.